Archive for the ‘Uncategorized’ Category

Can One Be Jewish Without Belief in God?

Friday, October 28th, 2011
by Sam Glaser

 

4H CloverI spent half my life agnostic and the balance, God-focused.  Growing up in a Los Angeles-based Conservative Jewish family, we never dabbled in theology but relished in our culture and peoplehood.  In the synagogue, our clergy and teachers presented everything other than belief, concentrating on what I like to call the four H’s: Holy Land, Holocaust, Hebrew and Holidays.  I can testify that there is plenty within these parameters to fill a Jewish soul with meaning and substance; one can live a happy and very Jewish life, cradle to grave.

 

That said, I think there’s a fifth “H” in the formula and that’s Holiness.  I’m hard pressed to recommend a way to incorporate this core Jewish value without bringing God into the picture. Post-college I started asking fundamental questions, comparing my feelings of universal connectedness to the teachings of Judaism.  On a trip to Israel in 1985 my light was turned on.  I discovered that in Jerusalem, living a holy life with 24/7 belief in God was natural, normal, even fashionable.  I could have lived my whole life in the Southern California fast lane and never opened this can of worms.Many of my deepest intuitions about God were confirmed in that City of Gold and although I didn’t realize it at the time, my Jewish “pilot light” was primed to explode.

 

After that trip I lived with a generous helping of cognitive dissonance since my life back in L.A. didn’t flow with the rigorous lifestyle of believers. However, try as I may, I could not go back to sleep, to return to my comfortable “unexamined life.”  After a few years in limbo I decided to take a few proactive steps to get back on the holiness track. It seems that that this “fifth H” was free in Jerusalem but in L.A. I was going to have to work for it.  One crucial step was moving into a Jewish community.  Living close to a synagogue (or in my case forty of them) was essential to normalizing a God-focused consciousness.  I don’t think I had the moral strength to make these spiritual strides in a vacuum.  Perhaps this is why God invented peer pressure.

 

The other change was my committing to Shabbat. I think Shabbat Candlesthe Torah emphasizes this ritual over any other because it offers consistent physical, financial and emotional evidence that one is serious about the relationship.  You can’t hope your marriage will last if you insist on flings on the side.  I remember my last gig on Shabbat: it was clear to me that the exponential growth that I was experiencing didn’t jive with the driving, shlepping gear, plugging in and getting a paycheck.  Thanks to the infernal power of Commitment, just like my marriage has bloomed beyond my wildest expectations, so too has my love affair with the Creator of the universe.

 

I resonate with the popular parable of the miserable bird in the Garden of Eden.  The bird complains to God that all the other animals have arms and hands and it is stuck with burdensome appendages at its sides.  God then explains that those strange limbs are actually wings and with them the bird can FLY!  Of course, this story teaches us that the mitzvot are our wings, not the burden that we might have thought.  For me, the clumsy appendages were the dietary restrictions that I ignored, the day of rest on which I trampled and the idea of standing in a sanctuary singing words I didn’t understand.  Like most Jews I was content to do it “My Way” and live with a vague, hibernating feeling of guilt.

 

Bird in HandIn the first half of my life, Judaism was relaxed and sweet; questions of belief in God rarely came up and that was fine.  I loved my Jewish summer camp memories, learned enough for my Bar Mitzvah that I didn’t feel like an imbecile in the synagogue and could appreciate a good deli sandwich.  Then I was shown a path and eventually took a series of baby steps towards commitment.  God gives each of us permission to take the journey in Deuteronomy:  This commandment that I set before you today is neither remote nor inaccessable from you.  It is not in heaven, so that you should say, “Why shall ascend to the heavens and bring it down to us so that we can understand it and keep it?”  It is not beyond the sea, so that you should ask, “Who will cross the sea and bring it back for us so that we can understand and keep it?”  Indeed, it is very close to you – it is in your mouth and in your heart, so that you can keep it.

 

Sure, one can be Jewish without belief in God. But I believe the Jewish people were meant to fly.

 

Knockin’ on Heaven’s Door

Tuesday, September 20th, 2011
By Sam Glaser

Heaven's DoorJuly 8th was a deliciously brisk, sunny day in Vancouver, Canada.  I took my family on a mountain bike adventure through one of the most gorgeous urban parks on the globe, Stanley Park.  As we careened down bike paths and trails I did my best to capture the moment with my handy Canon compact camera. Regretfully, I tried the “stupid dad trick” of shooting video while riding.  At considerable speed.  In the process I just barely grabbed the front brake lever by accident and the finely tuned rental bike seized up and flipped me over the handlebars.  I broke my fall with my hands and cut up one of my palms pretty badly.  Embarrassed by all the attention, I quickly dusted myself off and got back on the bike to catch up to family who were well ahead and oblivious to my aerial dexterity.

 

Thankfully a nearby lifeguard patched up my wound and we finished this dream ride that I was so excited to share with my family.  Then we went on a six-mile hike into the Canadian Rockies that began with the crossing of the famous Lynn Canyon suspension bridge.  biking stanleySpectacular deep green forest and a chain of pristine lakes graced this beautiful trail. A few miles in and my wrist started to throb.  I figured I was letting too much blood get to the area because I was hiking with my arms hanging down.  I fashioned a sling out of one of my kid’s sweatshirts and that took care of the discomfort.  But something told me that I messed myself up worse than I initially suspected.

 

Back in Downtown Vancouver my wrist was now double in size and super sensitive to touch.  Not a good thing for a piano player.  I walked with my kids over to the emergency room and waited with a sad variety of patients with problems much worse than mine.  I finally walked impatiently over to the window to get an update.  The cheery attendant told me that I would have at least a three-hour wait to be seen, longer than that to get an x-ray, and be charged a minimum of $800 that may or may not be covered by my US insurance. All this and Shabbat was coming in an hour.  I opted to bail on the emergency idea, bought a sling and a wrist brace at the drug store and returned to our 33rd floor hotel room.

 

We had a beautiful Shabbat dinner over the lights of Vancouver.  I was able to ignore my swollen wrist thanks to three Advils and a fine Canadian ale.  The next morning we walked over to the local Chabad where there was a standing-room-only crowd for services.  Thankfully Mussaf was followed with a hearty lunch where I had the chance to shmooze with a few local doctors.  All of them told me to get an x-ray.  Several others told me to check my mezuzot.  The x-ray I understand.  But check my mezuzot?  That seems to be a standard Lubavitch response to preventing seemingly random mishaps.

 

After returning from our wonderful trip I kept thinking, “maybe I should check those mezuzot after all.”  Then I’d reason, “what could have gone wrong with them…they are just hanging there and no one is messing with them.” In the meantime, our local hand and wrist specialist gave me a removable cast to immobilize the hairline fracture where my wrist bone meets my thumb.  This allowed me to continue to play my gigs over the month but isolate the area the rest of mezuzahthe time. I was well on the mend but couldn’t shake that superstitious mezuzah mantra.  One morning I couldn’t stand it anymore.  I counted twenty mezuzot in our house, including my recording studio.  I asked my neighborhood sofrim (scribes) what was involved with checking them.  A $200 house call plus $7 per mezuzah to check plus repairs if needed, plus new parchments if there were irreparable issues.  Thankfully, the new rabbi at the shul down the street is also a sofer and was willing to do it without the house call fee.  OK…you got a deal!

 

The whole exercise of putting up mezuzot in our home came into question.  Why do we bother affixing parchment with ancient hieroglyphics to our every entrance? (other than closets or bathrooms, of course.)  What has motivated Jews over the course of history to do so at their peril knowing that anti-Semites are on the prowl?  Why would God command such a strange thing, and then command us to repeat the exact wording of that very commandment twice a day?  First I’ll tell you what happened and then I’ll explore the answers I discovered.

 

This sweet, unassuming rabbi carefully took down every single mezuzah in our home, using great care to keep the batim (housing) and the scrolls together.  He sat at the desk in my studio with a powerful magnifying glass and scrutinized each one.  Seven of the twenty were posul (not fit for use.)  The two on our front and back door had weathered to point where they were unreadable. Many of the others had letters that had worn out or were improperly formed in the first place, rendering them useless.  Some were reparable; he was able to scrape away ink where letters were touching and clean them up so that they could be put back into service.  I know some of you are thinking: “this guy just wanted to sell me more mezuzot!” But he went to great pains to show me exactly why each one was deficient and explained the detailed halacha why certain things can’t be repaired.  We received many mezuzot as housewarming gifts sixteen years ago…let the buyer beware…you have to get a scroll from a certified scribe or reputable store.

 

The total bill came to $450.  Ouch.  Seven new scrolls, the inspection fee and some new waterproof batim for the outside doors.  This is going to sound weird but as soon as he hung the final now kosher mezuzah I felt a surreal sense of light and healing pervade our home.  Like everything was going to be OK.  I wasn’t thrilled about writing that check but in retrospect it’s the best money I’ve spent in a long time.  Kosher mezuzot are an intangible but invaluable asset to any home. I have an indescribable sense that doing this mitzvah right really does make a difference.  I even booked three gigs that first week!

 

The rabbis insist that a mezuzah is not an amulet.  The magic of the parchment is the same as fulfilling any mitzvah – the power of enhancing one’s connection with the Commander-in-chief. However, there are a few sources that resonate with the concept of protection.  King David writes “God will guard your going and coming for all time,” a hint towards the efficacy of the mezuzah. The Talmud mentions that the mezuzah is special in that it serves as a conduit for Divine blessings for the home and its inhabitants.  Perhaps it’s because it heightens our awareness that a home has the capacity for holiness; it’s more than just a place to hang our hat.  That simple act of reaching to kiss a mezuzah when you pass through a gateway has a powerful effect on one’s consciousness.  It’s like my house wears tefillin!

 

All this doorpost drama was unfolding during the Torah portion of Shoftim.  It opens with the famous line “Judges and officers shall you appoint in your gates.”  Emphasizing the establishment of judicial systems is one of the great contributions of the Jewish People to the world.  But there is a grammatical concept that begs inspection here: “YOUR gates” is in the singular, not plural.  In other words, we have to appoint judges and officers in our personal gates.  Renowned kabbalist GuardRabbi Chaim Vital claims that these gates refer to our sensory organs: sight, hearing, taste, touch, smell.  Just like a mezuzah offers protection at the entrance to any given room, we must establish a spiritual guardian at the source of input into our lives.  We live in an age of 24/7 bombardment of the senses.  It is more relevant now than ever that our gates are guarded to monitor the input.  How much news do I need to hear?  How much TV?   Do I need to see every blockbuster movie?  What dosage of violence, sex, gossip is appropriate?  Is this something I should eat?  Is this someone I should touch? Without sounding like Church Lady, in this passage clearly God is sending us a much-needed prescription for spiritual living.

 

A chassid approached his rabbi to complain that he couldn’t keep sexual thoughts off his mind.  He felt helpless and despondent, unable to focus on his learning and prayer.  The rabbi recommended that the chassid go to a certain home at the edge of the town and ask to speak to the owner.  The chassid dutifully walked the distance and knocked on the door several times.  No one answered so the chassid sat down and waited.  Eventually he fell asleep and was awakened the next morning when the man inside finally answered the door. The chassid stated, “how could you have left me out here all night?”  The man replied, “I chose not to let you in.”  The chassid was furious and reported the incident to his rabbi who replied, “only we can decide what or who comes in or out.”

 

One of the best ways I’ve found to break with the societal norm of letting everything in the “gates” of the senses is the gift of Shabbat.  The full cessation of using anything with a screen reminds us that we can indeed break free if we so choose.  I have my kids turn off cell phones and computers completely, not only to save the battery life, but to increase the sense of freedom from those machines that overwhelm us with input.  Twenty-five hours of peace has never been so great a gift as it is in our high tech, gadget filled times.

 

Speaking of gates, my brother Aharon requested that I sing my Pitchu Li song at his wedding.  This ballad from Hineni, my first Jewish album has always been one of his favorites.  He asked me, do you know what the “gate of righteousness” is that the psalmist was hoping to open?  I sheepishly said, “no, I don’t know what you’re talking about.”  He replied that the best gateway to achieve righteousness is that of mastering gratitude. Now it all comes together: by guarding our personal gates or senses, we are more apt to let the space for holiness take root, and in the process deepen our appreciation of God’s gifts in our lives.

 

Please allow me one final insight.  The Torah dictates that we are required to let slaves go free in the seventh year.  The sabbatical laws state that a slave who prefers to stay with his host family must be taken to the doorpost and have his ear pierced with an awl.  This is the symbol of his having relinquished his right to freedom, wounding him in the very ear that heard the imperative for liberty at Mt. Sinai.  It was also on the doorpostthat we were commanded to sprinkle lamb’s blood so that the angel of death would “pass over” our homes during the final plague in Egypt. Something about this parchment on our doorpost brings us right back to this concept of freedom. By electing to fulfill God’s will and affix a mezuzah, regardless of what the neighbors think about our strange customs, we are walking in the shoes of those generations before that have used their freedom to connect with the Almighty.

 

Therefore our communal love of this mitzvah in spite of possible danger makes sense.  Yes, the mezuzah on the door reveals our faith to our enemies.  But rather than serve as our undoing, it is the very essence of our survival, the core of our protection over the millennia.  Happy HomeBy using our freedom to enter the realm of the servant/Master relationship, we connect with eternity.  It is no wonder God commands us to repeat this mitzvah orally twice a day.  In fact we conclude the crucial V’ahavta paragraph with the word “gates.” Accepting God’s partnership in the guarding of our physical and spiritual gates is the key to our success as individuals and as a people.  Just like the lesson we learn when we leave our comfortable homes on Succot, the mezuzah reminds us of the true source of our protection.

 

Before my parents became frum, my brothers and I convinced them to put up mezuzot in all the rooms of their house, not just the front door.  They did so at great expense – they had a big, beautiful home that they eventually sold to actor Dustin Hoffman.  We also had to convince them to leave the mezuzot up when they moved out.  Jewish law dictates that if you know you are selling to a Jew you don’t take the mezuzot with you when you go. My folks weren’t terribly happy about leaving this small fortune in parchment on the walls for Mr. Hoffman, but were committed to doing the right thing.  I’m confident that the reward in heaven far exceeds the money they had to spend for new scrolls.

 

I’m not sure if it’s due to our new certified-kosher mezuzot but God has slowly but surely returned my wrist to full function.  I still marvel at the clean new skin where an open wound festered a mere month before. I’m back to hammering my left hand octaves and carrying my suitcases.  I’ve even gotten back on my bike and yes, I am avoiding the temptation to film as I ride.  Reach up for your doorposts.  Is there a mezuzah there? Protect the spiritual gates of your home with a piece of parchment with God’s prayers for creation, written by the hand of a holy scribe.  Protect your personal gates by monitoring the input you subject yourself to.  Take concrete steps now to show our Creator that you are ready for a holy, healthy, happy new year filled with growth and sweetness. Shana tova umetuka!

 

NewCAJE OutRAJE

Wednesday, August 24th, 2011
 

by Sam Glaser

I recently returned from the NewCAJE conference, the nascent incarnation of the Coalition for Advancement in Jewish Education.  We gathered at the American Hebrew Academy campus in sunny and steamy Greensboro, NC for five days of celebration, study and connection.  I offered an hour and a half workshop everyday and had

newcajethe rare gift of speaking about spiritual subjects close to my heart to students who were attentive and hungry for the information.  I enjoyed the chance to hear both the veterans in Jewish music perform in addition to sampling the hot, upcoming talent.  I went to amazing lectures, relished in stories from master storytellers and listened in wonderment to a fifty-voice choir that formed over the course of the conference.  And every night, from midnight till 3am, the musician insomniacs gathered in a “kumzitz mafia” jam session of outrageous proportions.

My own concert was on closing night.  I can’t describe the feeling of performing to an audience that already knows every lyric of my songs.  I asked to keep the houselights up so that I could reflect the joy visible on the faces of those whom I’ve grown to love, who have supported me onsamNchicksthis twenty-year odyssey as a Jewish composer. These are the community leaders who have rallied to bring me to their congregations, who cherish my CDs, who share my music with everyone they know.  Many of them met me when I was single and have followed my life through my engagement, marriage and rollercoaster experience as the father of three.  Scarcely a CAJE meal goes by without my having to break out pictures of the family.

It was at my first CAJE in 1992 that I met Debbie Friedman.  I had sung her songs since I was a kid at camp and now I had the chance to share the stage with her.  It just as well could have been Paul McCartney.  Well, almost. That year Julie Silver and I were the new artists debuting on the big USC stage. Just before my set the power went out and I had to sing my new Hineni song for 2000 people a capella. Concert organizers Craig Taubman and Doug Cotler pushed me out on the stage. Later Julie shared her gorgeous Sim Shalom.  I gave out my four-song demo cassette to everyone I met and started samNDebgetting invitations to perform out of town. Amazing! This year NewCAJE gave me a taste of new artists Noah Aronson and Max Jared, among others, about whom I will rave and support in their journeys.

At any given CAJE conference many of the presenters are neophytes in their field. But what other chances will they have to hone their craft in such a loving, forgiving milieu?  Veteran educators like the holy Rav Yosef Liebowitz come every year because CAJE-niks are among his best market for the distance learning that he offers from his home in Israel.  Judaica and booksellers flock to merchandise at the expo, attracted by a captive audience of dedicated Jews who will share the wares with friends back home.  I’m confident that Joel Grishaver wouldn’t have such a flourishing Torah Aura publishing company if not for CAJE, Nancy Katz wouldn’t be covering the country in painted silk and Bruce David’s amazing stained glass wouldn’t grace so many sanctuaries.

Something unique about this conference is its emphasis on pluralism.  Reform, Conservative and Orthodox learn, dine and sing together under one roof.  For most it’s the ONLY time they might witness such harmony and tolerance.  Ethics of the Fathers reminds us that a wise person is one who learns from everyone.  Only at CAJE do I really see this precept in full bloom.  CAJE is nothing less than the potential of a world redeemed. Everyone is a bit uncomfortable and everyone grows.  Girls in short shorts are confronted by the long coated mikvah man.  Orthodox rabbis become unwilling members of a flash mob that breaks out in the dining hall.  It’s easy to say in the comfort of one’s own movement that “we are all in this together.”  But CAJE isn’t the Biennial or OU conference.  It’s a true spiritual coalition, where all the colorful members of the tribe have something to add.

I have performed and taught at this conference some nineteen times.  CAJE has become a benchmark in my year, the start of my post-summer touring season and a good excuse to finish new recordings. Traditionally, upwards of 1500 educators, rabbis, cantors, composers, storytellers and artists meet at a roving series of university campuses for this special week of sharing, learning and song.  Perhaps the most compelling reason samNsingersthat they return is the camaraderie.  There is no price tag one can put on belonging to such an esteemed, generous family.  Tragically, teachers are usually on the low end of the socio-economic totem pole.  The individuals that we empower to bring the newest generations into the fold can barely afford to live in the neighborhoods of the synagogues they serve.  CAJE gives these righteous individuals a chance to stand up and be recognized and appreciated.  It’s renewing, refreshing and rewarding.  Some chastise the organization and say it’s nothing more than Jewish summer camp. But if summer camp is the “great white hope” for our kids, then why can’t the teachers of our students have their moment in the sun?

Now I’m going to get on my soapbox.  In March of 2009 CAJE went bankrupt.  It was half a million dollars in debt and still the international Jewish community let it fail.  True, this was in the aftermath of economic meltdown and Madoff.  Yes, there was too much overhead and they should have screamed louder for help.But for a statistically infinitesimal percentage of the total given to Jewish causes, CAJE could have been revived.  Individual benefactors sponsor operas, wings of University buildings and MRI machines for much more.  Who will take a stand for Jewish education?  Where are our heroes?

NewCAJE emerged out of the ashes last year. Thanks to the gumption of CAJE veterans like Cherie Koller-Fox, the conference is wobbling on new legs.  Recently Cherie was overjoyed that a $9000 matching grant was established. She’s counting on underpaid teachers to come up with funds to keep this dream alive.  My friends, NewCAJE needs $900,000 to make this happen. $9,000?  Oy!  Where are the Jewish Federations of North America?  How about a national Bureau of Jewish Education percentage of funds to this cause?  Most teachers used to have a source of funds from their synagogue or day school for annual enrichment programs.  Professional development is a cost of doing business!  This must be reinstituted so more teachers can attend. Jewish benefactors of universities need to come forward and cover the conference costs at their home institutions.  Giving opportunities for wealthy individuals abound, with naming rights!  For example, subsidizing the young leadership program, college program, new teacher recognition, veteran teacher awards, childcare, evening entertainment, fine arts.

I finished my NewCAJE concert with a rendition of Debbie Friedman’s moving Tfilat Haderech. It’s the very song that I sang with my fellow musicians at her gravesite after everyone else had left the funeral.  It’s the song I chose to sing at the Los Angeles commemoration of her Shloshim.  It will be the only “cover tune” on my next Jewish CD.  I brought with me the brand new instrumental tracks that I had just recorded with my band and set up some high quality stereo mics to record the NewCAJE audience on an endless series of tearful “amens” at the conclusion of the song.  Please listen to the track.  Hear the love shared by this amazing group of teachers.  Hear how much we miss our Debbie.  Hear how much we need and support each other.  Hear how much we need your help to spread the word.  Thanks for listening.

Ode to the 8-Track

Wednesday, May 11th, 2011
by Sam Glaser

 

8TrackGrowing up in suburban America during the 60’s included a certain rite of passage: as you drove down the freeways, if you wanted to hear your favorite songs, you needed an 8-track tape player in the dash.  In one clunky cassette about the size of six iphones, a CD worth of material would play in gorgeous stereo. There were a few caveats.  You couldn’t rewind.  And when you least expected it, a metallic piece of tape signaled that it was time for the tape head to switch tracks.  That meant a somber moment of silence in the middle of movements, sometimes in the middle of your favorite song.  It wasn’t ideal but it was certainly more graceful than trying to balance your record player when changing lanes.

 

About three times a year our family would load up into our nine passenger Olds Vista Cruiser, equipped with skylights, a 450cc V8 and a trusty tape deck.On our way to Lake Tahoe, Arizona or Colorado we would sing at the top of our lungs with our favorite thirty-two 8-track tapes. That’s all that would fit in the black vinyl carrying case and that’s about all the music we owned.  We had several Beatles albums, War, Tower of Power, Carole King, Roberta Flack, Joni Mitchell, Temptations,vista cruiserShostakovich and Beethoven’s 5thsymphonies and assorted musicals.  This was also the car that became my college ride at the University of Colorado, Boulder.  A favorite collegiate pastime was stuffing the car with a dozen freshmen from the dorms, cranking the tunes and doing donuts in the Safeway parking lot on snowy nights.

 

I’d like to share an epiphany I had at an LA Philharmonic concert last week.  It was a perfect, sunny spring Sunday and I was knee deep in over thirty vocal arrangements for the half dozen CDs I am juggling for clients.  I was about to embark on 25 hours of background vocal sessions with some of the finest singing specialists that I know.  These sessions aren’t cheap to run and I wanted to make sure that every piece was ready to go with all the vocal parts, lyrics and recording templates prepared.  Midday I glanced at my calendar and remembered that the LA Phil was presenting a matinee of Beethoven’s 5th at 2pm.  One voice in my head said: “Sam, just buckle down and get these charts done.”  The victorious voice said: “you deserve a break today…” I hadn’t heard this immortal masterpiece in years and I couldn’t pass up the pleasure of hearing it performed by one of the greatest orchestras in the world in Disney Hall, one of the greatest concert halls ever constructed.

 

No, I didn’t have tickets.  And no, that doesn’t matter. There are always seats.  I have a maxim that is particularly relevant in an entertainment town like LA: you don’t get in the show if you don’t go.  In other words, “if you build it, he will come.”  I found an amazing seat for cheap just beforeDisney Hallthe show started and was treated to a few hours of symphonic bliss. Beethoven’s 5thaffects me in the most visceral way. It’s just not that I share my birthday with the great composer…I have memorized every last passage intimately and during the concert I had to force myself not to conduct.  I was even ready for that measure mid-movement when my family 8-track tape would clunk as it switched to the next section.

 

Here’s the epiphany.  I grew up getting to know certain pieces of music very deeply.  The power of knowing every crevice of my records or the wow and flutter of every 8-track creates an unmistakable magic when I revisit that music.  Repetition and commitment deepens the experience…and isn’t depth what we want out of life? After the concert I wandered downtown LA uplifted, recharged and filled with a sense of possibilities.  Rather than go right back to work I crossed the street and visited the Museum of Contemporary Art.  What a collection!  I must be a fan since I knew the names of most artists without having to look at the descriptions. The most powerful (and valuable) pieces of art are those where the creator limited him or herself to a certain medium and theme.  Rothko’s rectangles of sultry color. Jackson Pollack’s monochrome splatters.  Jasper John’s maps and flags.

 

My children on the other hand have grown up with unrefined chaos in the form of millions of YouTube videos, online games and the App Store.  All geared for a five-minute attention span.  They don’t leave home without the iPod/iPad.  Unlimited songs for free forever. And thousands more appearing daily.  It’s impossible to keep up with what’s new and knowing what’s hot is increasingly irrelevant.  There will be something hotter in a few hours.  With the landscape changing so radically everyday, there is no opportunity to make a deep musical connection.  Other than my songs, which my kids are forced to listen to just by living here, their musical diet is as fickle as KISS FM.ipad2

 

The repercussions are significant.  Are our kids processing relationships in the same way?  Instant satisfaction online does not translate well in “meat-space.”  A great conversation takes hours to nurture before one reaches revelatory territory.   So too with friendships, professional experience and reputations. There is no quick fix for the test of time.  If we didn’t kick the kids out of the house, their play dates would consist of observing each other texting, playing video games or watching The 70’s Show.  My son tries to hide his distraction when his phone vibrates with a new text. Over 2500 a month.  I smile as he fumbles for where he left off in the discussion.

 

One of my favorite rabbis, Natan Lopes Cardozo from Jerusalem, comments on the essential difference between Beethoven and Bach.  Bach was a dutiful adherent to the “rules” of music in his days.  In spite of his discipline we hear vast creativity within the confines of this Baroque construct.  Beethoven, on the other hand, broke with these accepted rules and liberated music much the way the Beatles rescued rock and roll from the doo-wop of the 50’s.  Not to dis ole Ludwig V. but there is a certain power in Bach’s approach.  Cardozo quotes the philosopher Goethe stating, “In limitation does the master really prove himself and it is only the law which can provide us with freedom.”

 

Does this sound familiar?  As we march from Pesach to Shavuot, echoing the steps of our forefathers on their way from Egypt to Sinai, we relive the reality that true freedom is within the confines of Torah.  Learning a musical instrument takes tremendous discipline and hours of practice.  Learning to live as a Jew takes a lifetime of study to master the instrument of the soul. Like Bach, within the yoke of our Torah, we compress our creativity; we deepen our context and explode in our human potential.

 

ShavuotSinai was our wedding day.  Our exclusive covenant with the Creator of the Universe. Marriage is the melding of two hearts together into an altogether new entity.  Thanks to the exclusion of all other potential mates, a couple has the chance to blossom into a symbiotic oneness.  Thanks to our willingness to discard idol worship and focus on the laws of Torah, we explode into the full blossoming of our potential as members of God’s holy nation.  It’s no surprise that Jewish law is called halacha, or path.  It’s a pathway, not a goal in and of itself.  By striving to sensitize ourselves to this path we hear God’s voice, feel God’s love supporting our every step.

 

Once a week we have the chance to recreate our commitment to our heavenly “spouse.” I have led nearly a thousand Shabbatons over the past twenty years. That seems to be my specialty, and anyone who has attended can testify that I take the celebration of Shabbat very seriously.   I, too, am driven to distraction, overwhelmed by data, news, economics and electronics. My friends, Shabbat is the very antidote to the iPod.  It’s the antidote to shallow connections with people, God, music, life.  Thanks to the restrictions of the day we are forced to deepen our focus on those things we can do, which are praying, eating, and spending quality time with one another.  That’s it.  Deep interactions, deep (and sometimes very long) prayers, great food accompanied by song, stories and laughter.  Shabbat serves as a bookend to a week of superficiality.   It gives context to the chaos, a refuge from the rat race.  Now I can’t imagine life without it.

 

Sixty years ago the 8-track tape made our favorite music portable.  A product of a simpler time, it allowed us to deepen our experience with the few dozen “desert island” albums we couldn’t live without.   It sowed the seeds for other such miraculous revolutions that allow us to keep our music close at hand.  Now I have a compass, chronograph, 12 feature films, a siddur, bible, hundreds of books, GPS, a word processor, camera, newspaper, web-browser, games and a jukebox in my pocket.  Yes, it’s a phone too.  Funny how with 1500 songs I still listen to the same 32 albums.  I have 4,300 Facebook friends but I still call my parents with big issues.  I love having choices. I don’t want to go back to my 8-track repertoire. But I’ll take my friendships deep, my food cooked with love and my God on God’s own terms.

 

War of Worldcraft

Tuesday, April 12th, 2011

by Sam Glaser

 

 

WoWarcraftI’m trying to understand why I’m so perturbed by my kids wasting time glued to a screen. Perhaps it’s because my wife and I brought them into the world with the hope that they might better appreciate the gift of life.  Or at least ride their bikes once in a while. As adolescents they see the “real world” as the music, videos and TV shows that they voraciously consume. All the Jewish stuff they have to deal with in day school is a burden to be endured until they can get back online. Plugging in is a divine right.  After all, they will live forever, have all of their needs met and perish the thought of having a vacant minute.  In this generation you’re nobody until you have the latest screens of all shapes and sizes.  Entertainment options from Avatar to Jackass to funny pet videos on YouTube compete for their attention on aptly named iphones, ipads and imacs.

 

We won the battle easily when our children were younger.  We cut off our cable and except for the occasional movie night, our home was TV free.  Then something changed about five years ago.  YouTube was founded.  Bootleg websites started up with TV and film programming including feature films still in theaters. Disney.com and Nickelodeon.com became 24/7 outlets for their shows and suddenly the computers that we had in each room for their homework became TVs.  Battle lost.

 

But we had not yet met our true nemesis.  My eleven-year-old daughter opened a Facebook account to shmooze with friends, play online games and post her scores.  During her one hour TV allotment each day (ha ha!) she plays the games, watches a show and chats with mariofriends…simultaneously. I can leave for the evening and return to find her in the exact same position.  She can handle piano practice for ten minutes but as soon as it’s time to work out a tough passage I can see her desperation to unplug her brain in front of the screen.

 

Now I realize Facebook is for lightweights.  The real addicts have something much more powerful. It’s called World of Warcraft.  As in other role playing games, WOW allows my boys to wander an alien world populated by characters manned by players from around the world. They get credits and booty for kills and strive valiantly to get their creature up to the 85th level of power.  While it’s nice to see my boys cooperating to negotiate the game, I don’t appreciate that left to their own devices they would never leave the house.  After all, we live in Southern California.  They might as well live in Rochester.

 

One flaw in the gaming action is that you can’t just shut if off mid-battle.  My kids team up with other players to take down more powerful creatures and to abandon the quest is considered disloyal.  They risk losing “honor” points.  Poor parents worldwide who are calling their sons to dinner or trying to get them to brush their teeth are faced with, “not now, Dad, I can’t get away.”  That’s right, they are honoring their faceless online teammates rather than their flesh and blood parents.  Can you imagine? We hit the breaking point last week.  My oldest had once again “forgotten” he had a test, played WOW all night and then wouldn’t turn it off when my wife was going ballistic.

 

When we closed their account and banned WOW from our home my younger son seethed, “I love World of Warcraft MORE than you!”  Now they are sneaking out to 7-11 to buy game playing cards and hijacking any Wi-Fi they can find.   Anything to stay in the game.  We’re thinking it’s time for an intervention.  Yes, I’m exaggerating.  They’ll grow out of this, just like they did Pokemon, b’ezrat Hashem!

 

I think part of my opposition to this addiction is that it is so contrary to the Jewish values we desperately are trying to impart.  It’s not just the fact that my kids are annihilating virtual humanoids for fun and profit.  My wife and I try to model altruistic behavior, helping those in need, giving tzedakah, entertaining guests on Shabbat.  I run around the globe trying to increase enthusiasm for Yiddishkeit, connecting people with each other and with God through the vehicle of music. There are not enough minutes of the day to accomplish this task, let alone keep a family together and pay the bills.  Why are my kids in such great need of escape?  How can we engage them in appreciating their legacy?

 

The Jewish People are players in a grand scheme I call a “war of worldcraft.”  We are in the midst of a 3500 year peer-to-peer networking phenomenon unrivaled in history.  With courage and unrivaled stubbornness, we cleave to our ancient texts and way of life, hoping to rub off on those around us.  The Torah predicts that we will be an eternalLight Unto Nationspeople and remain few in number and yet will impact all of mankind by wandering the globe. I would argue that God’s Light Unto Nations experiment is working rather well; here is one of my favorite quotes:

 

According to historian Thomas Cahill, “The Jews started it all – and by “it” I mean so many of the things we care about, the underlying values that make all of us, Jew and Gentile, believer and atheist, tick.  Without the Jews, we would see the world with different eyes, hear with different ears, even feel with different feelings…the role of the Jews, the inventors of Western culture, is also singular: there is simply no one else remotely like them; theirs is a unique vocation.  Indeed, as we shall see, the very idea of vocation, of a personal destiny, is a Jewish idea.”

 

Pesach is a time to break free of those entities that enslave us, to get back on track with our national goal of worldcraft.  Thankfully Pharaoh is gone from the stage of history, but servitude is still with us.  We are trapped in our quest for elusive wealth, societal status, vocational advancement, material acquisition.  We are badgered by bosses, teachers, parents and peers.  We are stuck in ruts of our own making, forever battling inner demons, addictions and bad habits.  We come into this holiday well aware that the issues we complained about last year will likely be with us next year.  Does that fill you with confidence that you might enjoy real freedom this year? How can we have a breakthrough this season?

 

The opportunities during Pesach are manifold.  By edict of the Torah it must occur in the spring.  Renewal and rebirth are in the air.  Pesach is our national homecoming.  We press reset, reconvene with our people, reprioritize.  First we have to clear out the chametz.  All that yummy challah, Oreos, single malt…it’s got to go.  The rabbis tell us that the chametz represents our ego.  Big bread = big ego.  For a week we eat humble pie.  Humility is first base.  Humility gets you on the playing field.  When we aren’t full of ourselves and our entitlements, we create a space to allow for God’s peace, for transformation.

 

Next we unplug. On seder night we get together with our families, have a celebratory meal, tell our story.  Anytime I’m teaching a workshop and see people drifting off, I launch into a story.  We love stories!  Make the Pesach story real, for adults and children.  Act it out.  Wear costumes. Seder PlateDemonstrate the plagues with marshmallow hail, throw rubber frogs, wear animal masks and die on the floor for pestilence.  Just like Shabbat meals, the three ingredients for a great seder are fun, fun and fun. The key line is “b’chol dor vador…” in every generation we must see ourselves in the Exodus.  This isn’t a commemoration of something that happened to distant relatives.  It’s our story in perpetuity, in every age, with every enemy of our people that seeks the destruction of our holy mission of tikkun olam.

 

Note that Moses isn’t mentioned much in the Hagadah. This is God’s night. Pesach recalls a time when we were in our infancy as a people.  After womblike protection during the nine months of plagues we were carried through the desert by God’s grace.  We often forget that the song Let My People Go omits the end of the sentence (that they may serve me.)  In other words, on Passover, we relate to God as a tender, loving parent. Freedom is irrelevant without Torah, the instructions for life. It’s the laws, the holy pathways that God gives us that are our true freedom.  We have a simple choice: to serve God or serve man.  Choose wisely.

 

The classic seder songs were chosen by our sages for good reasons. Four Questions: Ask real questions! Inspire your kids to ask their own questions. Become a seeker of good answers. Dayenu: 15 steps of the seder parallels the 15 verses of the song; breaking down our salvation into multiple steps makes us more grateful for each miracle. Chad Gadya: there is a purpose to this grand arc of our history.  L’shana Haba’ah: we’re still in exile!  Don’t get too comfortable…healing the world is your responsibility. Finally, we finish the night with the recitation of Hallel.  It’s unlike any Hallel the rest of the year.  First of all, it’s at night and it’s woven into the meal. Secondly, we don’t introduce it with the standard blessing.  Why?  Because we don’t need to set up the mitzvah of its recitation like we normally do.  On the seder night, if we’ve done the work of clearing out our ego, eating the bread of affliction, drinking four cups of wine and singing at the top of our lungs, we are in such an exalted state that Hallel is a spontaneous outpouring of praise.  As natural as breathing.

 

If you don’t get it right the first night, well, you get to try again the next!  Holding on to the inspiration of the seder is hard work.  Make it a powerful memory!  Be a ham, drink liberally and stay up late!  A few years back I celebrated with my family in Jerusalem.  We joined my brother and his many children for a night of music and laughter that lasted until 4am. Then my brother and I wandered the streets of his shtetl; I was dressed as Pharaoh, he was my Jewish slave and our kids followed closely as we searched for lazy Jews to beat with bulrushes.  None of us will ever forget it.

 

Amazing events and the resulting inspiration are fleeting.  Somehow we have to hang on to the revelations, to internalize them and allow them to transform us.  We go into Pesach overwhelmed by the cleaning and cooking, overburdened with the rat race, oversaturated by the media.  Let’s finish the week transformed and relaxed, with new focus and commitment.  Imagine getting stuck driving through a storm and walking through the dark seeking shelter. Once in a while there’s a flash of lightning that illuminates our way.  That flash is the seder.  We can use that brilliant moment to light the way through the darkness and confusion we encounter the rest of the year.

 

Pesach gets us back in touch with the big picture.  It reminds us to treasure humility and an open heart; that the genius is in the details: in small acts of kindness, or observing seemingly small mitzvot like not over-bakingExodusmatzah by even a moment or dipping delicate greens in salt water.  We reinforce the concept that we were redeemed and are continuously redeemed from servitude so that we may serve God with love. The crowning moment of the Exodus is the revelation of God’s will in the Torah; this profound gift necessitates that we take the time to grapple with its demands.  When all is said and done we have to sing, at the top of our lungs, from the depths of our hearts.  And most importantly, we can’t let distractions like World of Warcraft derail us from our critical goal of serving as soldiers in the “war of worldcraft.”


The Songs We Sing (Interview)

Wednesday, March 30th, 2011

by Yossi Zweig

SamJeansJE Magazine: Shalom Sam. Thanks for taking a minute while you’re on the East Coast. The opening quote on your website calls you “the hardest working man in Jewish music.”  How did you get that title?

Sam Glaser: Since 1992 I have been on tour to an average of fifty cities a year. Almost 19 years now.  It makes me tired just thinking about it!  I tend to be out of town every other weekend. When I’m not on the road I have a great day job: I run a recording studio where I produce albums for clients.  I also try putting out one of my own a year.

 

JE Magazine: How do your wife and kids handle that?

SG: I’m a full time musician and I have to put food on the table!  I individually take each of my three kids with me when I am on the road…it’s a wonderful bonding time for us. I try to have quality time with them everyday I’m home.  My wife and I are good about looking out for each other. We have “date night” every Wednesday. That seems to maintain Shalom Bayit (peace in the home) better than anything.

JE Magazine: I’ve spoken to some of your fans…some of which came to the show in Sam Glaser t-shirts. Your website says you have a devoted following in all denominations. Now that I’ve seen them in person I believe it.

SG: I grew up in a Conservative synagogue, half of my concerts are in the Reform movement, I became Orthodox, my brothers became Chassidim and my parents became Chabadniks. I’m all over the map. I play all types of synagogues and make the rounds at JCCs. I’m a regular at Jewish conferences, performing at Biennial, OU, GA, Cantors Assembly, CCAR, Aish, Hadassah, CAJE, for any Jew that moves. My goal is to get people together. Enthusiastic about their heritage. Close to each other and close to God. As far as I’m concerned we’re one big happy family.  I’m the oldest of four boys and I’ve always been a “pleaser” type person, trying to make peace.  I guess it’s my destiny.  It’s a real blessing when I play a gig where all the synagogues in any given community collaborate on producing my concert.

JE Magazine: I know we hear your music all over the place but some of our readers probably don’t know it’s yours. Can you give us some ideas where we hear your stuff?

SG: Well, I have sold over 100,000 of my CDs and hopefully they are getting around. Other Jewish artists sing my songs as well.  New York’s JM in the AM had two hour-long shows of my music recently. Thank G-d we have dozens of great Jewish radio/internet stations around the country.  Have you heard about Jewish Rock Radio?  I’m a featured artist and it’s available as an App on the iphone…how cool is that?  Aish.com uses a lot of my stuff. Jewish Life Television plays a lot of my videos.  I’ve been on several of the Reform movement’s Ruach CDs. I’m on the Chabad Telethon frequently. Let’s just say that I almost never say no.

JE Magazine: What about TV stuff? Didn’t you used to do the music for the Dodgers?

SG: I spent much of the 80s and early 90s chasing that dream. Composing for commercials, TV movies, the WB Network, ESPN.  I’ve never cared much for televised sports but somehow I became the sports music guy in LA for a while.  I did music for the Dodgers, Angels, Lakers, Clippers, World Cup of Surfing, Warren Miller Ski Films. Those were the good old days, before music libraries took over, before Frostwire and everybody having a studio on their Mac. I must admit that the scoring business was somewhat empty…I felt like everything I was writing was disposable. From that perspective, I don’t miss it. I still get a soundtrack project in the studio from time to time and I appreciate the challenge.

JE Magazine: And Jewish music is filling that spiritual void?

SG: Bigtime. When I come into a city I feel totally uplifted by the audiences.  They empower me to inspire them.   It’s a symbiotic thing.  It’s that mixture of adrenaline and spontaneity and all the stars colliding. What a rush. I have a selection of a few dozen workshops I offer when I lead a Shabbat program.  I can’t explain how but there’s a power that an audience has to suck the right words out of me.  Obviously I have notes when I need them but I go into this heightened plane where I just deliver.  Playing the clubs back then was dehumanizing.  You did your 40 minute set and then got chased off the stage like cattle so the next wannabe’s could set up their gear.

JE Magazine: What’s on the horizon for you?

SG:  I have so much new material that I’m recording.  It’s got me totally stoked.  That’s California talk for really excited.  I want to release a new CD every quarter.  But my wife would kill me!  Last year I released The Songs We Sing Volume 2.  It’s a 28 song greatest hits of the Jewish People collection that took me two years to complete.  When I recorded that I also did Volume 3 at the same time.  Volume 3 is all Jewish dance music. My band doesn’t want me to release it cause they’re afraid we’ll never get booked anymore…people will just buy the CD!  I still need to do final vocals…it’s coming soon.  Next up is a secular album dedicated to my dad. It’s called Father’s Day and has songs about fatherhood, aging parents, life and loss.  God willing out this June. My next album of my original Jewish music is also in the works.  It’s called The Promise and focuses on our relationship with Israel.  After this interview I’ll play you a few cuts.

JE Magazine: I’ve been listening to your stuff since a friend gave me Across the River.  I still think it’s your best work.

SG: That was 1997!  Actually I just listened to it and I’m still proud of it.  People always think that the first album of mine they got into is the best.

JE Magazine: I think it’s safe to say that your albums are among the best produced and most heartfelt in the Jewish world.  It’s not simple music.  It’s real and powerful stuff. I hear just about everything and your CDs really tell a story and stand the test of time. But you got so many albums… this new one was number 21!?  Which ones would you recommend for newcomers?

SG: Well, first of all, thank you!  I guess I’d start with Presence and The Bridge. They were my first albums freed from the limits of tape machines.  You have to understand that unlimited tracks with digital recording was like a miracle for us producer types.  Finally I could get these sounds in my head out in the world without any technological compromises. Hallel is ideal for a long drive.  If you like nigunim (songs without words) and a more traditional Jewish sound, my Nigun/Voice of the Soul is really rich and features RebbeSoul and singers from Blue Fringe, Moshav and Soulfarm. For kids, my Rockin’ Chanukah CD, Kol Bamidbar and Soap Soup should do the trick. On my website you can buy 3 and get 1 free. Shameless plugs!

JE Magazine: Any final words for our readers?

SG: First of all, many thanks to JE Mag and to you for getting the word out about new Jewish music. For your readers: Love your Judaism!  Celebrate Shabbat!  Have an attitude of gratitude. Don’t steal music. Buying downloaded songs is cool but keep in mind that many artists like me intend to have their art taken in as a whole…you wouldn’t only buy 1/10th of a painting!  Try the whole album…it’s how I meant for you to hear my stuff.  I love getting feedback.  Write to me at sam@samglaser.com and say hello!

 

Better Run Away

Monday, February 28th, 2011
by Sam Glaser  

max partyMany a morning I bask in the sunlight on our front porch surrounded by fragrant jasmine, birds of paradise and bougainvillea. It’s my power spot for the Shachrit prayers.  I’m bound up in my tefillin, enveloped in my tallit and connected to the Source of all creation. This sunny spot conceals me just enough from the few passersby on our quiet street but some know to look for me and wave as I shuckle back and forth.  Our new neighbors have two adorable kids, the oldest a loquacious, blonde three-year-old with a favorite game. While I daven I can’t help but notice him try, often successfully, to run away from the house and down the street as his nanny panics and bolts after him.  Every time he gets a little farther and she freaks out a bit more.

We did the same thing with our dad.  We’d stand in front of his comfy leather easy chair and he’d trap us between his knees saying, “run away!”   We’d wait for the trap to open and before we could charge out of his grasp he’d grab us with his enormous hands and whisk us right back where we started.  Every third or fourth time we’d actually escape, sometimes with too much velocity and crash to the floor.  We’d pick ourselves up, stop laughing and try it again.

Of course I performed the same shenanigans with my own precious offspring and when they grew bigger, made an art form out of chasing them around the house.  Any Soap Soup fans know well our game of Better Run Away (Before I Grab You) as codified in the song by the same name.  The kids know that when I catch them I freeze and count, “five, four, three, two, RUN,” giving them time to escape.  As they grew older and could outrun me I devised a corollary to the game called Anger Bottle.  I drink most of the water out of a 12 oz. plastic bottle and then huck it at them with all my

sam bday cakemight.  It has to have just enough water to serve as ballast for a good throw but be empty enough that it scares the pants off them when it strikes the wall just behind where their heads were moments before.  I scream insults at them in my best Pirate tongue and we run until we’re too sweaty or until someone gets hurt. Many neighborhood friends come over specifically to have me terrorize them with my handy Arrowhead.

I’m writing this month’s essay about the evolution of this chase because I feel like the rules are shifting once again.  Now my kids are running away from home.  As far from their parents as they can get.  They aren’t quite cutting the cord completely.  But the stage is set for their inevitable escape.  I left home at seventeen.   I was fiercely independent and confident, with a love for the world, people and adventure and blithely left my three brothers and dear parents to deal with the impact of my disappearance from the family dynamic.  I was busy with Berklee College of Music, new friends and summer piano jobs in Montana and Greece.  I never stopped loving and appreciating my family, but I did so with occasional calls and postcards from the road.  My son Max is sixteen. The writing is on the wall.

I remember when it was clear to Shira and me that God did not plan on giving us any more children.  I had to make an appointment with my rabbi to share my distressed feelings of leaving the reproductive years behind.  I never stopped loving babies and still grab them any time there’s a willing parent.   My wife made it clear that the store was closed and I felt like I was just getting started!  I have a hunch that this melancholy will not hold a candle to the advent of empty nest.  I love the metaphor of the archer…as parents we pull the bow back with all our might and aim it to the best of our ability. Then we launch our beloved offspring on a lofty trajectory and PRAY for a good landing.  That sounds nice in theory…but right now I’m desperately holding on to every hike, every trip to the mall, every conversation at Coffee Bean.

My next CD is called Father’s Day.  It’s about being a dad, loving my own dad, the passage of time and the bitter sweetness of our lives.  Yes, I’m trying to get it out on the market before Father’s Day.  I have a line in one of the songs that sums up this new chapter: “I could hold your hand in front of all your friends, then I became an idiot.”  Max is hiding more.  Creating his own sense of self away from the shadow we cast.  Welcoming anywhere from

max mariachi10-25 friends over every Shabbat afternoon and hinting not to subtly that I find my own friends to play with.  He looks so damn handsome and has such a winning smile.  But that smile is more often reserved for his peers and if I want a conversation I have to bribe him with an occasional fancy meal or force him on an outing.  Even then I don’t have his full attention; I’m trying to teach him that it’s not OK to text while in a conversation with a live human.  He tries to comply until an “important” message comes through.

Jesse, my fourteen year old, is affectionate and demonstrative.  He’s as easy going as Max is willful.  He insists that he is going to be a rich doctor and build us a guesthouse for our retirement on his expansive property.   This too will change.  In fact, on our way to a recent family friend’s bar mitzvah, Jesse warned my wife and me that we were not allowed to dance.  Max chimed in, “don’t even talk.”  Thankfully Sarah was willing to party with us while her brothers cowered in shame.

I’m grateful that my kids still beg for bedtime stories.  I make them up every night from scratch; fully realized adventures, mysteries, business sagas and tales of spiritual rendezvous.  They each give me two random nouns that I must somehow incorporate into the story line.  I accept this challenge in order to keep their curiosity piqued throughout the fifteen minutes of drama. I owe them a dollar if I forget their word and I rarely mess up.  This past year Max stopped asking for stories and no longer will volunteer words.  A few nights ago I caught him underneath his covers with his headphones on during an especially intricate tale.  Like I said, the times they are a-changing.

By now you are probably wondering why I am taking you down this lonely road.  Of course, there’s a lesson in this and it’s acutely applicable at this time of the year.  You see, my friends, we are now entering Adar sheni, the final month in the Jewish calendar. This is the season when we heighten our joy and celebrate Jewish Mardi Gras, otherwise known as Purim.   We then launch into the first of the biblically numbered months, Nissan, during which we experience the week of Passover.  The Jewish year begins with the commemoration of the Exodus, reliving the plagues, splitting of the sea and revelation at Sinai.  Pesach is the holiday of homecoming and rebirth and logically occurs in the springtime.  We return to our infancy as a nation when we witnessed nine months of plagues and then were carried like a baby through the dangers of the desert, depending on God’s constant beneficence for our survival.

On the other hand, the megilah or scroll of Esther that we read on Purim is the only book in the canon that does not mention the name of God.  And yet God is surreptitiously operating behind the scenes in the formation and then foiling of Haman’s genocidal plot.  The word Purim refers to the game of chance that the villain in the saga employs to determine the date of our extinction.  This eternal tale leaves the reader with the option of perceiving either chance or the hand of God at each turn of events.  So too can we learn to see God’s presence in our own lives, both at times of turmoil and triumph.  In other words, when we reach spiritual maturity, when seemingly random events occur we might remark, “large world, well managed,” rather than, “it’s a small world.”

The Jewish year begins with revelation and ends with concealment.  Moses is God’s agent in bringing the Shechina down to earth and Esther’s name has the word “to hide” at its root.  Jewish history takes us on a journey from vulnerability in the desert to the formation of a people capable of agriculture, Talmudic discourse, defense and technology.  We spent an extra thirty-nine years in the desert because we didn’t want to leave the womb.  Our lives progress from dependence on our parents (and our Parent in heaven) to independence and as Stephen Covey would insist, ideally to interdependence where we grasp our role in the greater society.

In 1990 my father’s company went bankrupt.  This was a serious rupture in our family’s security and this forty-year enterprise was my dad’s raison d’être.   It’s highly likely that his four boys would have gone into the business. Instead, I became a full time musician and fell in love with my Judaism, eventually marrying the two in this unusual career of mine.  Two of my brothers became popular rabbis and the other brother is now a well-respected lawyer.  We don’t have the silver spoon in our mouths anymore and I think that’s a good thing.  We’ve had to fight for every last nickel and we’ve learned the value of hard work and perseverance.

In the desert we enjoyed manna from heaven and in Israel we had to perform backbreaking labor to cultivate our crops.  Adam was commanded to work and guard the Garden of Eden, not recline in a lounge chair drinking mai-tais.  To have any sense of pride and accomplishment, my children must strike it out on their own and wean themselves from the open tap of our generosity.  I fully understand the importance and inevitability of this process but I don’t have to like it.

The consolation for parents of teens is that yes, they will move out of our homes but not our lives, and that God willing, grandchildren will follow! Now when I look around my Shabbas table I am poignantly aware that in the ensuing years there will be empty places.  This sensation of always being in high demand as they compete for my attention will wane.  OK…I’m getting depressed again! I wish I had a freeze frame or at least a slow motion button on the video of my life.   Life is so good.

I’d like to offer my loyal readers the blessing that “those that

Glasers Hawaii sow in tears will reap with joy.”  Treasure your challenges and strive to see God’s loving hand in every facet of your life.  Take your spouse out on a regular date night so that when the house empties out you remember what one another looks like.  And in the immortal words of the psalmist, James Taylor, “Shower the people you love with love, show them the way that you feel, things are going to work out fine if you only will.”

 

Losing Debbie

Friday, January 28th, 2011

by Sam Glaser

Limmud sounded like a good idea this year.  This revolutionary British organization was celebrating its 30th anniversary and Debbie Friedman and I were among those honored to be invited.  Limmud is the foremost conference worldwide for lay people of all denominations to spend a week engrossed in Torah study and Jewish culture.  Some 2500 Yidden show up annually to the University of Warwick, England during the last week of the year.  The explosive growth of this grass-roots phenomenon has now spread to forty cities worldwide.  I have performed at US, UK and Australian versions of the conference and love the chance to see Jewish unity fully lived rather than merely theoretical.  When Chanukah is “early,” it is generally safe for me to fill the week of Xmas with this conference since my Chanukah tour is over mid-month.

What I didn’t anticipate was the fact that my November and December would be booked to the hilt.  Twenty cities in two months is enough to make any grown man ardently long for his family, bed and favorite toilet.  I had a three-day turnaround in LA after an east coast swing and then I boarded a ten-hour transatlantic flight.  British Airways sold every seat on the 747.  Luck would have it that I was seated next to an oversized filmmaker from Brussels named Michael Goldstein.  Large world, well managed…we hit it off and spoke of the opportunities in Jewish life for hours until he fell asleep on my shoulder.  Needless to say, I arrived exhausted in frozen England the day after a four-day blizzard shut down Heathrow.  An endless array of white patchwork fields spilled into cobalt blue seas as we descended over the United Kingdom.  Once on the ground we had a two hour wait for a two hour bus ride. I took solace in the fact that at least I’d be able to spend some quality time with Debbie.

What made this whirlwind week different from other conferences I’ve done with Debbie was the fact that she didn’t have “handlers.” Usually there are protective, mothering fans that smother her with affection and ensure that she doesn’t overdo it.  This time, Debbie was totally in the mix.  Teaching, singing in the ad hoc choir, performing and hanging out at the inevitable late night jams until the wee hours.  Several nights in a row, literally past three in the morning, insomniac musicians huddled in a circle with a dozen guitars, dumbeks, tambourines and iphone pianos and sang every Jewish, Beatles, Cat Stevens, Stevie Wonder and Carole King song we could think of.  Thanks to the miracle of ubiquitous internet access, anytime we couldn’t remember the lyrics, someone was always ready with a PDA linked to the right words.  Often I am thrust into a leadership role at these kumzitzes in order to manage segues and land in ideal singing keys.  At Limmud, however, the leadership was shared by a dozen songleading masters…sometimes Debbie would start something and then calling the next tune would pass organically to another person.  We enjoyed an unspoken clarity on when the exact time transpired to move onto something new and over a four hour period covered just about every genre known to Western Man.

Debbie GtrDebbie’s last official concert was everything that we fans wanted.  All the hits, the crowd singing at the top of our lungs, tears aplenty at her epic ballads. Her voice was frail but she still hit the notes.  Her humor was spontaneous and spot on and of course her trademark issues with guitar tuning created several classic improvised moments.  Our beloved EJ Cohen was there to interpret both of our shows with her flowing, artful bi-lingual sign language.  Debbie asked that no one video, photograph or facebook about the show.  Just to be present, to be with her.  Of course she sang Misheberach for us and then us for her.  Little did we know.

The next night Debbie came to my concert with a black eye.  She was walking with a tortured gait and had slipped on the ice. Interesting that when it slips below freezing, London Fog turns into icy mist, coating the sidewalks with a treacherous layer of thin ice.  Hearing the British audiences sing along with my songs with a cockney accent was a true highlight.  It’s been said that accent doesn’t carry through in singing.  Wrong again!  After my show I managed to sell nearly all my CDs and then hung out at the mosh pit of a bar scene with the young folks.  I saw Debbie sitting there alone and available.  I promise that this never would have happened at any of the 17 CAJE conferences I did with her.  I sat down on the steps beside her and we spoke of new projects and her tale of woe caring for her ailing mother and the scarcity of gigs.  I didn’t realize that she had moved to Southern California a few months earlier to be close to her ima, and I was happy at the prospect that we might be able to spend some time together.

Over two thousand people enjoyed a star studded closing gala featuring an amazing ad hoc choir assembled over the course of the week.  Following my Hineni song, conductor extraordinaire, Stephen Glass, presented a moving tribute to Limmud, sung by the choir and featuring Debbie and me on the opening verses.  I held her hand throughout and at the end of our portion of the song she gave me a warm, beautiful, maternal smile that I will never forget.  We were often called upon to do these programs; at the GA conference, CAJE and Halleli at the Gibson Amphitheater.  I realize that we make an odd couple for a number of reasons.  But we are truly singing the same song, with the same goal of getting our fellow Jew invested in a relationship with a loving God.

I flew home after a full week of near all-nighters, singing until my voice was like sandpaper, teaching every day, and too many experiments with the eclectic beers on tap.  Thrashed is the best word I can think of.  A friend at my first Shabbas meal back in LA suggested I do a full week liver cleanse and I took him up on it.  No carbohydrates, soda, caffeine, Advil, meat, booze, etc.  I usually can power out my work after my kids go to bed.  I found myself exhausted at ten pm.  If this trip to the ice planet Hoth took such a toll on me, imagine what it did to my delicate friend Debbie.  She contracted serious pneumonia and didn’t have the resources to fight it.  The entire Jewish world (at least the non-Orthodox affiliated segment) held prayer vigils and sing-along’s to appeal to the Creator of the Universe to give Debbie another chance.  But this was to be her time.  The shocking news sent chills down my spine. Jerry Kaye’s Facebook post uttered the impossible simply and finally.

Heartbreak.  Tears.  Shock.  Disbelief.  Sadness.  Then all of them over again and all together.  The letters, condolences and memories poured in on Facebook, Hanashir Listserve and email.  I called many of my Jewish musician peers just to hear their voices and get perspective.  I was slammed in the studio that week and it was so hard to focus on anything.  I posted this at the height of my grief:

“I’m broken hearted. Our dear friend, mentor and spiritual ima has left the world. I can’t imagine what a beautiful, holy place she is in right now. How many of us did she touch with her sweetness, with her direct channel to God’s music. I will always sing for her and with her wherever I go.  Every thing I do I think, wow… Debbie can’t do that now.  I’m stoic and then crying again.  I just tried to explain to my kids which songs she wrote that they know and then broke down again.  I’m still not sure what losing Debbie means.  I don’t think any of us know. OK.  I’m crying again.  We lost her in Parshat Beshalach, Shabbat Shira.  She’s dancing with Miryam. No question. The seas are parting.  She opened up the sea for us Jewish musicians.  She showed us our potential.  She showed us how to open up the hearts of our audiences to hear God’s music.  How the concert or song session was not about us singing, but about lifting the spirits of everyone in the room, getting them to sing, to feel and connect. Last week I got to sing with her, to hold her hand, see her smile.  What a gift.”

I tried to figure out why I was so affected.  Debbie and I saw each other just a few times a year.  We came from different worlds, different coasts, different theologies.  She often made jokes about my move to Orthodoxy.  The only people who like to check if I am wearing tzitzit are one of my Aish rabbis, Craig Taubman and Debbie Friedman.  I realized that the core of my mourning was the feeling of the loss of a mentor.  Debbie was one of the few artists that worked at her Jewish music full time without a day gig.   When I was trying so hard to break into the business with my first album, she had 8 CDs in the Tara Music’s top 50.  She showed me what was possible in my life.  Moreover, she used her position to create opportunities for other composers and songleaders.  She was the master and we were her students.  She proved to us that there were no barriers to entry; not gender, sexual preference, handicap or level of education.  What mattered most was talent and tenacity and getting yourself out of the way so that God could speak through you.

I remember my second CAJE conference in 1993 when Debbie was leading a final jam session the last night.  I was thinking, “this kumbaya nonsense has got to stop!  It’s time to rock!”  Yes, I was rash and impetuous, and over the years I learned the magic of her soothing music and the power of its simplicity.  Like a great Shlomo Carlebach tune, Debbie’s songs grab you immediately and stick in your head, resurfacing every time you are innocently eating a latkeh, planting a tree or teaching the aleph-bet.

A few years ago I was in Debbie’s Manhattan apartment hanging out and making music.  She has an amazing piano and we sang and shmoozed and spoke of hopes and fears.  Even brilliant Debbie could feel vulnerable and question if she was making a difference.  I told her that I was living on the edge…three kids in private school and a considerable mortgage riding on the back of a sole wage earner musician dad.  That all my relatives thought I was nuts for choosing my field.  She said, “Sam, if times are ever tight and you need help, I will be there for you.  I will give you half of the money I get in my gigs to help you out.”  I laughed at her gesture and she looked at me with dire seriousness.  “Sam, I’m not kidding.  You need to be doing what you are doing.  And I will be there when you call on me.”

I sobbed throughout her funeral.  It’s the music that really gets to me.  Every song had me reaching for more kleenex.  Of course I wanted to be one of those chosen to sing.  But I’m not sure I could have found my voice through the tears.  Seeing the Collings guitar that I had played the week before on top of her casket was so shocking.  We had to be reminded that this ceremony was not for the musicians or the Reform movement, it was really for her immediate family that was grieving in the front row.  The audience was a who’s who in Jewish music.  Sad that it took the loss of a peer to get us together.

More moving was the graveside service.  A thousand people came to the memorial but only a few hundred drove to the internment.  The Jewish custom of the mourners filling in the grave is so perfect.  We bury our dead.  It’s so final and real.  We sang her songs as we shoveled.  I cried with her mother and her dear sister.  They were a real team and now they had lost their captain.  We comforted the mourners and then everybody left.  Except the musicians.  No one told us to stay.  I can only speak for myself.  I couldn’t leave her.  I just stood their crying, contemplating the world without her, focusing on the moment so that I could perceive her liberated neshama and not get pulled into a petty conversation.  When I came to, I looked around and I saw a dozen of my fellow musicians standing in random places on the grass in the golden light of the setting sun.  Wordlessly, we all started coming into a circle around her kever.  We joined hands, swayed and sobbed.  Wow.

As I drove home I felt a powerful determination sweep over me.  Not to settle for mediocrity in my life, in my career.  To force open the gates of possibility for Jewish music and the Jewish people.  To reach our non-Jewish friends with the gift of our message of hope, prayer and sanctity.  Mortality came sweeping down on my complacency like a tidal wave.  How many years do I have left to change the world?  To sing, perform, record, travel?  My twenty-one CDs have been a defense against feelings of insignificance.  But it’s not enough to put out albums.  I must use music as a stepping stone to take a stand for all Jewish people and our allies.  I must open the financial barriers that limit our expression, that stifle this renaissance.  Music is a gateway to transcendence and unity between nations.  Debbie Friedman started the fire and I must inspire my peers to turn this flame into a conflagration.

Debbie, thank you for setting the stage, for taking the lead, for teaching us, for striving through your pain and suffering to continue to inspire us.  Thanks for tolerating me and loving me.  Thanks for your amazing songs that have changed the world.    Most importantly, thanks for singing with me and being my friend.  I miss you so much.

The Genesis of the Exodus

Thursday, December 16th, 2010

by Sam Glaser

I was famished after my concert last night in Princeton, NJ.  Finding kosher food on the road is a perennial challenge and this well into the second week of a frantic Chanukah tour.  Man cannot live on salad alone! Thankfully, a dear fan in the area offered to cook up her homemade chicken specialty for me and we drove through the New Jersey darkness towards her home in East Windsor.  At one point I heard her exclaim, “oh, dear!” and sure enough a full-size deer carcass lay right in front of us. At 40mph she didn’t have time to react and we rolled right over it, dragging it under the car for several feet.  As I was sickened by the thud of hitting this once beautiful animal I was reminded of the commandment not to put a stumbling block before the blind.  Since I was the last one to witness the hazard it was now my responsibility to move it.

I didn’t move it.  We drove on joking that we could have had venison for dinner.  A few miles later we saw a bad accident.  A fresh accident, with steam pouring from the engine of a smashed compact car and an unconscious woman in the driver’s seat.  As we swerved around the scene we saw someone running to extricate the woman from between the seat and the air bag.  My first instinct was to stop and help but I wasn’t at the wheel and I reasoned that others were already helping.  We just drove on.

Our eventful ride culminated in a lovely dinner and the lighting of the Chanukiah.  In spite of the good cheer, I couldn’t shake the feeling that I should have stopped the car, that I missed an opportunity to reach out and help.  What would I want done if I was stuck in that car?  Some call it Jewish guilt.  I call it the Hineni (here I am) Response. Jews are incapable of standing on the sidelines.  Something in our spiritual DNA goes haywire when we perceive someone in trouble, see justice unrealized, witness lives in jeopardy.   The question is where does that response come from?

One could cite the intransigence of our forefather Avraham when faced with the potential annihilation of Sodom.  He had just entered into an eternal partnership with God and God chose to include Avraham in the plan.  Avraham’s impassioned argument to rescue any righteous Sodomites earned him the title of First Jew in History.  Noach obediently built the ark.  Avraham fought a knockout round with the Creator of the Universe to save even a despicable nation.

I’d like to argue that a far more subtle but equally powerful biblical anecdote contributes mightily to our Hineni Response. By mid-December we can feel the glow of the Chanukah candles and are reading the last Torah portions of the book of Genesis.  Chanukah is a time of wintry weather and gloom, during the shortest days of the year.  It’s at this time that we light the lights, offering hope and illumination to a besieged world.  True, we are described as a nation of priests, but we are also a nation of dreamers.  Our mere existence is proof of the Eternal and our return to Israel after a 2000 year exile is a testimony to the power of our dreams.  I think there’s no coincidence that it is at this time of year we read about four sets of dreamers in the weekly Torah portions, Yaakov, Yosef, the baker and wine steward and Paro (Pharaoh.)  While all their dreams reveal much about human nature, I’d like to focus on an easily overlooked nuance regarding the dreams of the baker and wine steward.

Shortly after being sold into slavery, Yosef had been framed by Potifar’s wife and thrown in jail.  He spent over a decade in an miserable Egyptian prison, which I imagine was not quite a Club Med.  In spite of the dire circumstances, Yosef still was able to notice the downcast expressions on the faces of the baker and wine steward.  This is the key moment, the Genesis of the Exodus.  Like Moshe who stopped to notice the phenomenon of the burning bush when everyone was walking right by, Yosef took the time to perceive their mood change and comfort these two prisoners.

Big deal, you might say.  But because Yosef had his eye out for the downtrodden in his midst and ACTED on that sense of compassion, the wine steward referred him when Paro needed his seven-skinny-cow dream interpreted.  Thanks to Yosef’s small gesture, he became the CEO of the country, the Jews obtained salvation from the famine in Canaan and the stage was set for our eventual miraculous exodus from bondage.  Case in point: we never know when our small gesture will change history.

The fact is that God operates through history in a series of small gestures.  The intriguing saga of Esther saving the day in the Purim story is another such step-by-step tale of national salvation.  God’s name is never mentioned overtly but it is impossible to read the script and not see God’s hand on every page.  This is one of the last books of the bible, as if God is preparing His people to live in the realm of small gestures rather than overt miracles.

My wife and I often regale Shabbat guests with the circumstances of our meeting.  We are both avid cyclists and our precious paper cut ketubah, lovingly created by my artist mother, features a pair of bikes parked at the base of a family tree. Twenty years ago my friend Mark Nathan from the Semester at Sea program called to encourage me to join him on the Rosarito to Ensenada bike race.  At the finish line I met an enterprising young man who was launching his first charity bike ride to raise funds for the American Lung Association.  I talked my brother Yom Tov into taking the ride across the island of Catalina with me.  In the meantime, Shira’s roommate Karen had heard of the ALA program at her urban conservationist job.  Had Mark not called to invite me, had Yom Tov not been willing to come, had Shira’s roommate not taken the job at Tree People…I rest my case!

When the slavery in Egypt became unbearable “God heard our cries.”  Our rabbis teach that the word “cry” is plural because God hears the cry when we are totally fed up AND the cry before we actually scream.  How many of us are screaming right now?  With increasing financial burdens, job-search woes, health issues, aging parents, kids at risk.  God hears these cries even when they are silent murmurs that keep us awake at night.  Jewish law maintains that it is meritorious to help someone financially well before they are on the street, to be aware of our fellow man’s struggle when on the surface everything seems fine.

The point I’m trying to make is that everyone you know has worries and fears.  Imagine how you feel when someone takes the time out of his or her busy life to hear you, to help you, to care.  Just like with Yosef and the baker, he or she may not be able to make the problem go away.  We are judged not by the result but by the initiative. In fact, the merit of any given mitzvah does not require the completion of the act.  If one is thwarted from the full performance, for example, if you ran out of a gas on your way to visit the sick, you still get heavenly reward for your intention.  Taking a moment to share a word of kindness can be enough to restore the recipient’s faith in humanity.  What we really need these days is our faith restored.

Social scientists have espoused the Broken Window Theory which states that allowing for broken windows and graffiti as the status quo in a city creates further disarray.  Broken windows lead to more broken windows and eventually, squatters, fire and theft.  The societal norm becomes “trash the city, no one cares.”  We live in a world where our faith in humanity is trampled.  Worldwide poverty, terror, crime, drug abuse and graft are ever on the rise.  It seems outrageous that fixing a few windows can change the crime statistics on the urban scene.  But it works!  Every random act of kindness has ripple effects that rock the heavens.

Here’s a beautiful way to read the language that the Torah uses when we were redeemed from slavery: at the seder table we recite, “God will redeem you with an outstretched arm.”  I had such a powerful “aha moment” when a rabbi pointed out that the sentence could be read: “God will redeem YOU WITH THE OUTSTRETCHED ARM,” in other words, when we create a world where people have their arms outstretched to help others, only then do we merit redemption.  Avraham started the Jewish people with a mission of action and compassion.  Yosef’s pivotal moment transpired because he had the presence of mind to be aware of another individual’s suffering.  And the ones who actually got out of Egypt to form the Jewish people were the ones who looked out for their fellow man.

Here’s my blessing to all those who had the patience to read to the bottom of this essay: may you have the peace of mind to hear the music of creation.  May you have eyes to perceive God’s hand behind all the events in your life and be grateful for every moment.  And may you play a leading role in the perfection of the world by seizing every opportunity to practice random acts of simple kindness.  As for me, next time I find someone in need on a frigid New Jersey night, I’ll stop!

Terror at the GA Conference

Friday, November 26th, 2010

by Sam Glaser

NetanyahuI had one of the most uplifting weeks of my life.  Such powerful concerts and interactions.  Wonderful audiences in New York, New Jersey and St. Louis.  I finished this leg of the tour at the General Assembly Conference, the flagship meeting of Jewish Federations from around North America, feeling optimistic and empowered.

The host city to the conference, New Orleans, has got the character thing buttoned up.  This is no franchised, gentrified urban setting.  The birthplace of jazz is still nurturing the art form for new generations.  From the reek of Bourbon Street to the stately mansions of the Garden District, this is a town that keeps you moving, grooving and awestruck.  Katrina is still very much in the foreground of the NOLA consciousness but the emphasis is on rebirth and civic pride. My friend who put me up (and put up with me) was a DJ at the classic jazz station WWOZ during his college years.  That makes him an authority on the hottest musicians and the clubs they haunt, to which we hopped to and fro nightly.  I’m not sure if the locals were sober enough to notice that every third guy had a kippah on.

Once in a while I pull off a trifecta on the road.  That is to say, I perform on any given leg of my annual tour in synagogues of all Jewish denominations.  This ten-day rally is the ultimate example of the fact that I may not fit into any one box but reap the dividends of a broad perspective of the Jewish world.  This week I gave a concert at the stately Touro Synagogue, a proud Reform landmark, and then sang for the Conservative to Modern Orthodox crowd at the New Orleans Hebrew Day School.  In New Jersey I led the davening for the amazing Aish HaTorah PartnersJewish Unity Conference, a gathering of 750 black-hatted rabbis and their friends from around the world.  In New York my brother Yom Tov and I gave a concert for Chassidim in Boro Park, then on to St. Louis where I worked with three day schools, led a Shabbaton and a concert at a popular outreach synagogue.  My policy is to sing for all Jews, wherever they may be, and my personal mitzvah, my Letter in the Torah if you will, is to inspire audiences to be more connected with Israel, each other and their Creator.

So you can see why I arrived at the GA all pumped up.  Over 4,000 delegates in suits wandered the vast square footage of the Sheraton and Marriott hotels downtown. For eighteen years I have been performing and speaking at Federation-sponsored concerts and fundraisers and seem to know a lot of the players.  From the frantic exhibit hall to the ad hoc kosher deli in one of the ballrooms, there was an old friend around every corner. The GA is the Superbowl of Jewish geography! One of the highlights of these high profile conferences is getting to sit in on the plenary sessions and hear in person the most powerful speakers in the world.

I was particularly excited to hear Benjamin Netanyahu speak and managed to find an old friend with an extra seat in the front row.  But the Federation mavens weren’t going to let an opportunity pass to motivate this captive audience.  The myriad opening speakers were so dynamic and uplifting that the Israel Prime Minister seemed anticlimactic.  One young man, Moises Lemor inspired us with his saga of growing up in a Zionist family in Peru, making Aliyah solo and serving proudly in the IDF.  I was brought to tears by a young Hungarian woman who found out that she was Jewish as a fifteen year old at her father’s funeral.  One comment in particular touched me so deeply that I transcribed it in my iphone: upon discovering her heritage she then took the opportunity to “unwrap Judaism like a treasure.” It made me wonder if we should deny American Jewish kids any connection with their heritage until they are mature enough to value it, and only then inspire their newfound love affair to blossom.

I hope the previous paragraphs set the stage for my ebullience at this moment.  I was basking in the immense potential of the collapse of the walls that divide us as a people.  Uplifted by powerful prayer, music, great speakers, and great friends from a week on the road.  Jewish unity not just a concept, but a palpable reality.  And then it began.  Netanyahu unleashed a fear mongering speech almost word for word as dramatic and futile as the one I heard at the past few GA’s.  He bemoaned the Iranian nuclear threat, the advancing trend of the de-legitimization of Israel and the difficulty of negotiating peace with a partner that will not recognize the Jewish state.  He pointed to failure of Herzl’s tenuous dream that the rebirth of the Jewish state would end anti-Semitism.  I felt my smile diminish and I was once again in this state of Reuters/AP/CNN induced ennui.

terrorThen the terrorism began.  A young woman just a few rows behind me stood up and started chanting that the “settlements delegitimize Israel.”  She continued to scream while robust African-American guards dragged her a few hundred yards to the back exit.  The other four hecklers timed their nefarious attack with every-five-minute precision.  The leader of the Jewish people could only stand there in silence and frustration.  The crowd attempted to drown out the perpetrators with screams of their own, which only furthered the degree of damage.  I felt like my insides were turned to jelly with pain and outrage at each affront.  It was bad enough that all decorum was lost. But these were young idealistic Jews who didn’t hesitate to resort to deliver such a “low blow” to the proceedings.  I’ve never seen a better excuse to deploy a taser.  We can be our own worst enemy.

After the speech I hung my head low and limped out of the imposing ballroom.  I spoke of my shock to one of my peers in the Jewish music scene.  His response was that while he didn’t like the interruptions, he was glad that the kids had their moment of protest.  Boy, I felt very alone.  The Arabs we can handle.  But a threat from within?  I suddenly felt connected with that peculiar “V’lamalshinim” paragraph in our Shmoneh Esrai prayer.  Composed as the 19th blessing of an 18 blessing suite, it pinpoints the dire threat of Jews that act as informers, that endanger the well-being of the nation, that corrode the integrity of our common Jewish heart.  Yes, at times our nation is deserving of criticism, but to actively sow the seeds of hatred, distrust and revenge among our friends and enemies is folly.  Note that there is no blessing to thwart foreign enemies.  Internal strife is the only thing that can bring us down. “Blessed are You, Hashem, Who breaks enemies and humbles wanton sinners.”

Today I read in the LA Times of another blight on our future.  The movement to boycott top-name artists and ensembles that want to perform in Israel is led by one Ofer Neiman and his fellow Israeli saboteurs.  They protest publicly, picket concerts, launch campaigns on the web and seek to embarrass the acts into cancelling their appearances.  The Israeli government refers to this internal mischief as “cultural terrorism.”  Rock stars that risk stirring up the waters and upsetting fans are quick to cancel.  There have even been anonymous threats against the artist’s children!  Don’t they see that they are emboldening the radicals that plot our death, throwing kerosene on the flames of world opinion, causing irreparable dissention from within?

This is a time of polarization.  If the Holocaust taught us anything it is that doing nothing, just standing idly by, is the root crime.  Elton John, Rihanna, Rod Stewart, Metallica and Ozzy Osborne broke the boycott and performed anyway.  That fact makes me want to go out and buy some heavy metal.  Elvis Costello, Santana, the Pixies and Gil Scott-Heron cancelled.  Red Shoes and Smooth will never sound as good to me.  This is a time to take a stand, to visit Israel, to defend Israel, to buy Israeli products, to support organizations like AIPAC and Stand With Us.

I’m reminded of the old joke about the two elderly Jewishjews on bench men on the park bench.  (I know, many jokes start like this!)  One is reading the Jerusalem Post and he looks over and is shocked to see his friend reading a radical Arab paper.  “How can you do that?” he cried.  His friend replied, “You read about Jews being persecuted, attacked, assimilated.  I read that Jews own the banks, control the media and rule the world!”  The lesson I came away with last week is that in the macro sense we are being brow beaten in the media, face intense threats from our neighbors and are paralyzed with hopelessness on many fronts.  In the micro realm, however, there is room for celebration.  Amazing new organizations are galvanizing young Jews.  Witness the strength of the internet to unite and inform. Birthright, Ramah, Aish, Chabad, Jewlicious, PJ Library, NFTY, Nefesh B’Nefesh.  Want to regain the feeling that anything is possible for the Jewish people?  Don’t watch CNN or read the New York or LA Times.  Don’t get your online news from AP and Reuters.  Instead, try researching the Jewish Community Heroes, the accomplishments of the Joint Distribution Committee, IDF field hospitals, Tomchai Shabbas, JLTV, Israeli High Tech.

Better yet, slip on some headphones and listen to some good spiritual Jewish music.  It will heal your soul and make your heart soar.  Satisfaction guaranteed.